SOUND DESIGN

DESTRY RIDES AGAIN
42nd Street Moon/Eureka Theater, San Francisco
(Stage Manager)

WHOOP CLICK
Dark Room, San Francisco
(Sound, lighting technician)

7 SINS (2nd run)
Exit Theatre, San Francisco
(Sound, lighting technician)

2008

I AM NOT JAPANESE
Theatre Rhinoceros, San Francisco
(Sound and lighting design)

7 SINS
Theatre Rhinoceros and Exit Theatre, San Francisco
(Sound, lighting technician)

 TALKING WITH ANGELS
Actors Center of San Francisco
(Sound, lighting operator)

2006

STREAKIN', A MUSICAL FLASHBACK TO THE 70s
Provincetown Theater
(Live Mixer)

DELI THEATRE
(Sound Designer)

ROMANCE
Wellfleet Harbor Actors Theater
(Sound Designer)

2005

PUGILIST SPECIALIST
HAZARD COUNTY
MCREELE
Wellfleet Harbor Actors Theatre
(Sound Designer)

BUG
MERCY ON THE DOORSTEP Wellfleet Harbor Actors Theatre
(SFX Programmer)

2004

GLITTERATI
IMMORAL IMPERATIVES
Wellfleet Harbor Actors Theatre (Sound Designer)

2003

PROOF
LIVE GIRLS
TRUE WEST
Wellfleet Harbor Actors Theatre
(Sound Designer)

1997
7 BLOWJOBS
Wellfleet Harbor Actors Theatre
(Sound Designer)

Also served as sound consultant at Payomet Performing Arts in Truro, Mass., 2003-2006

REVIEWS

MCREELE
"The plethora of ideas ricochets and reverberates from scene to scene, dynamically supported by Dan Joy’s rolling graphic set panels and evocative sound by Mike Iacuessa, including specially-composed music... (WHAT should put the soundtrack on sale in the lobby and website.)"
-Carol Drew, Edge Boston

IMMORAL IMPERATIVES
"As usual, the technical crew is excellent at WHAT, with Dan Joy designing the sets, Christopher Ostrom as lighting designer, Michael Iacuessa on sound design..."
-Rebecca M. Alvin, The Cape Codder

TRUE WEST
"The choice of each musical interlude is perfect, a treat delivered well by sound designer Mike Iacuessa."
-Sue Harrison, Provincetown Banner

LIVE GIRLS
"Mike Iacuessa's sound design negotiates all the complexities of the script's playing with what is 'live' and what is not. There's a particularly fine moment when Sonia, conjured by Sarah's replaying of their emotionally charged interview, walks on, silently mouthing her own words as they unspool on the tape. Then, seamlessly the recording goes silent, and Sonia is speaking for herself."
-Sam Allis, Boston Globe

PROOF
"...a version of "Proof" in Wellfleet that's infinitely better than the Broadway version."
-Ed Siegal, Boston Globe

W.H.A.T. was named Best Theater by Boston Magazine in 2004